Skip to main content

Blue for remembrance

The picture at the top of this blog is a badge representing a cornflower. The cornflower, le bleuet, is the symbol of remembrance in France, just as the poppy is in British Commonwealth countries. Just like the poppy, the cornflower continued to grow and flower on shell-torn battlefields. Bleuet was also a nickname given to the young men of the Class of 1915, called up in December 1914. In French, un bleu is a generic nickname given to young recruits, originating in the previous century (apparently because so many turned up at the barrack gates wearing a blue workingman's smock); and when they were issued with the new horizon blue uniform, the name seemed doubly appropriate.
 

In 1916, two women, Suzanne Lenhardt and Charlotte Malterre, thought up a scheme for badly-wounded men, who had been discharged from the Army, to manufacture and sell small paper cornflowers as a way of earning a small income, and help get them back into work. Lenhardt was the chief nurse at the Invalides; her husband had been killed in Champagne in 1915. Charlotte Malterre was the daughter of General Niox, the Director of the Invalides, and the wife of Brigadier General Pierre Malterre, who had lost a leg in September 1914.

On 15 September 1920, Louis Fontenaille, the president of the Mutilés de France, the principal disabled soldiers' organisation, proposed to the Fédération Interalliée des Anciens Combattants that the cornflower should become the symbol of French service personnel killed during the war.
 
Originally, the production of the flowers was the responsibility of the individual pensioners of the Invalides, but a proper workshop was set up there in 1925. The cornflowers were sold on the streets of Paris from 11 November 1934 - 128,000 were sold. The following year, the State decreed that cornflowers should be worn on every 11 November, and permitted the sale of the flowers everywhere in France. In 1957, a second day of wear, 8 May, was added. From 11 November 2012, serving members of the French armed forces were permitted to wear a cornflower whilst in uniform.

The responsibility for producing the cornflowers is now that of the Oeuvre National du Bleuet de France, still based at the Invalides in Paris, which remains a home for old soldiers as well as a museum. Since 1991, its operations have been supervised by the Office National des Anciens Combattants et Victimes de Guerre (National Office for Former Soldiers and Victims of War), a government department with special responsibility for ex-servicemen.

Photos: the current bleuet, the logo of the Oeuvre National du Bleuet de France, and a cinderella stamp, from Wikipedia; the portraits of Lenhardt (top) and Malterre from Alsace1418.fr

Popular posts from this blog

Kings of the Air: Clément Ader

This is the first of a series of biographical sketches based on the research I am doing for my new book Kings of the Air: French aces and airmen of the Great War , to be published by Pen & Sword. Clément Ader (1841-1925) was a French inventor, whose attempt at heavier-than-air flight some years before the Wright brothers was so nearly successful. Ader had a restless mind, and his inventions covered a wide range of fields. In 1868, he began as a velocipede manufacturer. Instead of conventional iron tyres, his machines used a rubber tubular tyre of his own invention, resulting in a much lighter frame, and a much more comfortable ride. The war against German in 1870 brought an end to his work. He then began working for a railway company in the south-west of the country, the Compagnie des Chemins de Fer du Midi. In 1875, he designed an engine that laid rails, that saw service for several years. He then turned to the new telephone, commercialising the inventions

The real Rintintin

No. No!! Yes.  Rintintin's on the right. Obviously. In 1913, the artist Francisque Poulbot created two characters, two typical children, named Nénette (the girl) and Rintintin (the boy). The drawings were turned into dolls, intended to replace the dolls in French shops that were 'Made in Germany'. While they had some popularity before war broke out, their production suffered because of the war. The characters were revived four years later, following the publication of Encores des gosses et des bonhommes: cent dessins et l'histoire de Nénette et Rintintin , published by Editions Ternois. 'Everyone loves and adores us. You can find us amongst the finest amulets, the hand of Fatima, four-leaved clover, golden pigs, scarabs, the number 13, and white elephants. ... We are the most fashionable good-luck charm, triumphing over back luck.Keep us round your neck, on your watch chain, on your bracelet, in your pocket, on the wind

From the Marne to Verdun: the war diary of Captain Charles Delvert, 101st Infantry, 1914-16

Charles Delvert’s diary records his career as a front-line officer in the French army fighting the Germans during the First World War. It is one of the classic accounts of the war in French or indeed in any other language, and it has not been translated into English before. In precise, graphic detail he sets down his wartime experiences and those of his men. He describes the relentless emotional and physical strain of active service and the extraordinary courage and endurance required in battle. His account is essential reading for anyone who is keen to gain a direct insight into the Great War from the French soldier's point of view, and it bears comparison with the best-known English and German memoirs and journals of the Great War. Reviews This classic account of World War One from a French officer’s perspective has not previously been translated for the original French. Highly Recommended. This book is particularly valuable because it is a translation of a diary